Showing posts with label branding. Show all posts
Showing posts with label branding. Show all posts

Friday, December 21, 2012

Artifact or Fiction?

“Fabricated” souvenirs by Bay Area artists
Last chance to see “As Real As it Gets,” an exhibit organized by consumption connoisseur, Rob Walker that looks at the history of consumer fictions. It’s at Apexart in Tribeca and closes December 22.

The show features fictitious products, made-up brands, and subversive real-world behaviors relating to consumerism. Along with Shawn Wolf’s "Removerinstaller," Matt Brown’s “Bathtub Synth" and “shopdropped”(opposite of shoplifted) products, are the made-up brands found in movies about the dystopian future. But alas, the satire itself has been subverted and the dystopian present and future are already here. Dunder Mifflin Paper, the fictional brand of the show The Office is now available for purchase, as is Brawndo, the electrolyte-based water-substitute of Idiocracy (both are represented in the show). 

 The line between fact and fiction has been so effectively blurred, that it’s hard to imagine what the future of consumer satire, as a genre, will be going forward. Clear, “fashion” eyeglasses sit completely straight-faced on shelves alongside corrective lenses. Half of the packaged remedies by Dana Wyse, like “Feel Relaxed in any Situation” or “Discover Your True Purpose in Life,” have counterpart industries in the real world. Our elevated tolerance for fiction-supplanted reality extended all the way to this year’s presidential race when Mitt Romney’s campaign announced "We're not going to let our campaign be dictated by fact-checkers." For real!

While the golden age of fake products might seem as vintage as a Wacky Pack, our on-demand-anything-is-possible-DIY-24/7 technology has perhaps introduced a slightly more insidious twist.  Somehow, the realness of the Steve Jobs Novena Prayer Candle and the plastic jars of dot.com bubbles, had me scanning my mental gift list. I know I could have crossed off a bunch of names with them, and I was slightly disappointed to learn that they were not for sale. So take a break from reality Christmas shopping and head over to “As Real As it Gets.”

Matt Brown’s “Bathtub Synth" 



Shawn Wolf's "Removerinstaller"


From Dana Wyse's "Jesus Had a Sister Productions"


Friday, June 25, 2010

Heroin Stamp Project

Discarded, empty heroin packets each stamped with their own “brand” identity, were collected from the streets of New York over the course of five years by a group called the Social Art Collective. More than one hundred different brands are represented in a show at White Box Gallery. The New York Times has a good article about the project here, and the following is from the gallery:
The exhibition is comprised of large-scale prints depicting these seductive, yet sinister symbols in startling detail. Blown up to monumental proportions, these images become confrontational, insinuating the complex
 nature of drug use, from the market dynamics of suppliers and dealers, to the motivation and histories behind individual users.

Kind of takes ephemera to a whole new level--can't wait to see it. White Box is at 329 Broome Street (at the Bowery) in NYC, and the show is only up through June 29.





Thursday, February 18, 2010

Olympic Tickets, Etc.

If you have any interest in the design and branding of the Olympics, or of any large scale event, for that matter, you must visit theolympicdesign.com. Markus W. Osterwalder is a Swiss graphic designer and an Olympic design scholar and historian. He writes about his interest in the games and his creation of this incredible design resource.

Ever since the Olympic Winter Games of Lillehammer in 1994 I have been visiting all the Games. By monitoring locally, reading, researching and collecting I was able to get an overview and to form a judgement about the quality of design. Whenever possible I contacted key people of the Communication & Design Department to talk about processes and problems in the development of the design. Sometimes even after the events.

I’m assuming he’s in Vancouver right now, observing, collecting and documenting …


Athens 1896. St. Louis 1904, London 1908, Anvers 1920, Paris 1924, Berlin 1936, Cortina d'Ampezzo 1956, Rome 1960, Munich 1972, Torino 2006, Vancouver 2010

MASCOT: Munich 1972, "Waldi"

OFFICIAL REPORT: Los Angeles 1932

PICTOGRAMS
Top: Grenoble 1968, Mexico 1968
Bottom: Montréal 1976, Salt Lake 2002

TORCHES: London 1948, Innsbruck 1964, Lake Placid 1980

WINNER MEDAL: St. Moritz 1928


All images are from theolympicdesign.com. Markus Osterwalder's collections include some 12,000 items in the following categories:

Objects
Papers Electronical Files
• Winners Medals
• Winners Diplomas
• Participation Medals
• Participation Diplomas
• Torches
• Badges
• Pins
• Host Country Stamps
• First Day Covers
• Mascots
• Merchandising
• Uniform Volunteers
• Uniform Torch Relay
• Opening Ceremony Kit
• Closing Ceremony Kit

Papers
• Design Manuals/Guidelines
• Official Reports
• Bid Books
• Souvenir Programme
• Daily Programme
• Sport Regulations
• Official Guides
• Official Results
• Books
• Pre-Olympic Newsletters
• Brochures
• Opening Ceremony Programme
• Closing Ceremony Programme
• Opening Ceremony Tickets
• Closing Ceremony Tickets
• Sport Event Tickets
• Accreditations
• Volunteers Material
• Paralympic Games
• Official Posters
• Sport Posters
• Art Posters
• Advertising Posters
• Mascot Posters
• Torch Relay Posters


Electronic Files
• Graphic Files like:
• Bid Logos
• Olympic Emblems
• Pictograms
• Mascots
• Secondary Marks Logos
• Look of the Games Design
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