Typographic Triangulation

Felt pennants with names of colleges or sports teams are what come to mind when I think of graduated type set within a triangle. I have no idea if the ‘pennant’ was ever a popular format for signs, but since there are only two examples in Manhattan that I know of, it’s clearly not very common today.
The 35th St. vintage metal awning of The New Yorker Hotel is one, with thin, art deco-style letters, set against a black background.

The other is a Laundromat on West 79th St. with black mod/deco letters on bright yellow.

Last year I saw some triangular Kiosco awnings in Buenos Aires.


I just want to add here that the graduated lettering on the metal awning is only one of several type styles to be found on the structure of the New Yorker Hotel. I have no doubt that a good sleuth could find enough typographic evidence to piece together the building’s entire 80-year history.

Ugly Tomatoes

What better way to honor Fashion Week in NYC, than to showcase some really ugly tomatoes? These particularly hideous heirloom specimens were grown at Taft Farms, a 200 acre, family-run farm in Great Barrington, Massachusetts. Friendly and fascinating Farmer Dan doesn’t even expect to sell these, so he just cuts them open for customers to try. Next thing you know, you are searching for the most monstrous-looking ones in the pile to bring home.

It’s too early to pass judgment on the Spring 2011 collections, but I as far as tomatoes are concerned, these misshapen models represent the absolute pinnacle of good taste.



Top photo (the ugliest, for sure) by T. Rosen

Barton’s Sweet Spot

Founded in 1940 by Viennese chocolatier Stephen Klein, Barton’s Bonbonniere was known for selling kosher chocolates. Bringing a box or tin of Barton’s chocolate was standard when visiting friends or relatives on Jewish holidays. (Remember the illustrated black tin of Almond Kisses?)

The first Barton's store was located on 81st St. and Broadway in Manhattan, and was designed by Victor Gruen, who, like Klein, was originally from Vienna. He went on to design eleven of their stores including the 50th store in 1952.

This colorful store interior appeared in the August 1952 issue of Architectural Digest. Alvin Lustig consulted on the graphics.

Rosh Hashanah, the Jewish New Year of 5771, begins tonight. It is customary to celebrate by eating sweets and wishing others a “sweet” year.

May it be a sweet and peaceful year for all.

Via Mondoblogo, via sandiv999

The Color of Bureaucracy

The only color bureaucracy brings to mind (aside from drab gray) is red, for red tape. In fact, bureaucracy is way more colorful than we might think.

Residents of various summer communities proudly display the annual town-issued stickers for beach parking. Since each year’s sticker is a different color from the previous one, car windows of many long-time summer residents become collages on glass, with their own regional color palettes. (Read 'Sticker Shock' in the Boston Globe about how passionately residents reacted to Wellfleet’s enforcement of its law against displaying old windshield decals.)

Sheffield Massachusetts in the Berkshires has the most beautiful “transfer station” (dump) permit stickers I’ve ever seen. Each year’s design involves not only a different color background, but different colored ink as well. Elsewhere, colored stickers can be found diplayed by businesses in their storefronts for assorted memberships, inspections, and permits.

It’s Labor Day weekend and summer is winding down. You are sitting in traffic, a bit wistful, your car packed up with the remains of the season. Perhaps the thing to do is think about next summer, and wonder—what color will it be?

The Berkshires

The Hamptons

The Jersey Shore

Empty storefront, Yonkers, New York

Cleaners, NYC

Hardware store, NYC

Haystack Mountain School

I’m back from two blissful weeks in Maine where I attended a fiber workshop at Haystack Mountain School of Crafts.

CAMPUS
Founded in 1950 at Haystack Mountain, the school moved to its current facility in 1961 on Deer Isle. The campus is a collection of cabins and studios, built into a hillside at the water’s edge. Edward Larrabee Barnes designed the compound, and in 1994, having stood the test of time, it received the Twenty Five Year Award by the American Institute of Architects.

From Barnes’s 2004 New York Times obit:

His Haystack Mountain School of Arts and Crafts…was not a building but a village of shingled cottages linked by a grid of wooden decks leading to a spectacular ocean view. Its diagonal forms were a much-noted departure from the cubical massing of the International Style that prevailed at the time. In 1994, the American Institute of Architects honored the project's influence with its 25-Year Award for older buildings, calling it "an early and profound example of the fruitful and liberating fusion of the vernacular building traditions with the rationality and discipline of Modern architecture."

The breathtaking view shifts gloriously with the fluctuating Maine weather. We drifted off to the sound of crashing waves at night, and woke to outgoing lobster boats in the morning.

Barnes’s Haystack architectural model and elevation of the campus are in the collection of MoMA.



NATURAL LANDSCAPE
The sub-tundra terrain of moss, lichen, pine, and glacial erratics provided a fascinating and enchanting landscape …













WORKSHOPS
The atmosphere is very conducive to working. Studios are open 24/7 and having prepared (and delicious) meals is very freeing.

Experimentation and exploration is encouraged and the teachers of the six workshops in session during my stay were all so inspirational. At night we got to see and hear about their work.

For example:

Kristen Morgin works in unfired clay.
Topolino, 2003
Monopoly, 2008

Jerry Bleem works with a wide range of found materials. The intriguing surface texture on these sculptures was created with staples.
June 10, 1983, 2000
Found printing plate, staples

Float, 2004
Fish scales, staples

Matthias Pliessnig works in steam-bent white oak.



Look through the Haystack workshop offerings to see other instructors.

Greetings From Maine!

June is Bustin' Out All Over, from Roger and Hammerstein's Carousel, 1956.
Internet access here is very, very slow. Regular posts next week ...

'Lost' Auction

Over 1,000 items from the ABC series ‘Lost’ will be auctioned by Profiles in History on August 21-22. Included will be costumes and props from all six seasons. I never saw the show, but they sure had some great props.Section of Oceanic Flight 815 wreckage.

Jack’s burgundy medical case

Hurley’s shirt-turned-fishing-net.

Four scorched model Oceanic airplanes from Claire’s dream.

Geronimo Jackson LP.

Sawyer’s improvised reading glasses.

Sun’s broken glass ballerina.

DHARMA-branded peanuts.

Desmond’s Portuguese version Catch-22.

The Dogs of Will Rannells (And a Contest!)

Somewhere between Cassius M. Coolidge’s Dogs Playing Poker and William Wegman’s elegant and complex Weimaraners, lie Will Rannells’ canine men of the world.
“What's on the 6th floor?” a history and special collections blog of The San Francisco Public Library, recently featured these Life magazine covers (not to be confused with LIFE, the Henry Luce publication), by Rannells (1892-1982).

Early on, Rannells found that his paintings of dogs set him apart from other artists. It is reported that he thought they were much better subjects than the beautiful girls he had previously been drawing. In fact, his first commercial success (at age 19) was a portrait of a collie that had previously been held in the arms of a girl. When he realized the dog was better off without the human figure, he painted the dog alone and sold it for $40. It later appeared on the June 1, 1912 cover of Country Gentleman. He went on to illustrate for the magazines Life, Judge and McCalls, as well as for a number of children's books.

Will Rannells became an art professor at The Ohio State University, where he taught painting and advertising design. He was active in the Humane Society and was known locally for his efforts to rescue stray animals and for his opposition to vivisection.”

To truly acknowledge the dog days of summer you must head over to Newmanology and partake of, either as a participant or an observer The Newmanology Dog Days of Summer Dog Magazine Cover Contest. There is already a fantastic gallery up, with new additions coming in fast and furious. Add your canine contestant to the mix. Still needed: a bejeweled lady-dog (not just any bitch with bling, must be canine).




Will Rannells covers (starting from the top): "Putting on the Dog," Life (Nov. 3, 1927);
"The Dog Star,"Life (July 16, 1914); "R.F.D.," Life (Dec. 16, 1915);
"An Old Sea Dog," Life (Sept. 3, 1925); Country Gentleman (June 1, 1912);
"Never Again," Life (Jan. 15, 1920). Life courtesy Schmulowitz Collection of Wit & Humor; Country Gentleman courtesy Magazines & Newspaper Center, San Francisco Public Library.