I’m not sure, but I think it has something to do with how the viewer experiences the paint as water and the rhythmic strokes as waves. The vigor of Pettibon’s marks and the wateriness of the drips impart an immediacy that lets you see the big picture and be inside it at the same time, something not possible with a more photographic approach. In effect, this allows Pettibon to work both the wide-angle lens and the zoom in one picture. The comic book-style freefloating thoughts and phrases, add yet another level of intimacy, placing the viewer inside the head of the speck inside the monster curl.
“Are Your Motives Pure? / Raymond Pettibon Surfers 1985-2013” is on view through May 17.