Wednesday, November 16, 2011

Calling All Calipers

Serifs or feet?


I have no explanation for how or why this has happened, but I’m crazy for calipers these days. Evocative of typography, anatomy, and instruments of torture, these specialized devices have an expressive nature. Some calipers are bowlegged, double-jointed or have well-developed quads. Others have exotic diacritical marks or could quite believably be monogrammed onto fingertip towels. And then there are the ones you know had to have been invented by a medieval dentist or Victorian gynecologist.

Feel free to free associate …

Photos are from eBay or other auction sites unless otherwise noted.












The largest of the above set from Designer Pages, is 55 inches.

The collections of "brackets" are from Lost Found Art,
via Accidental Mysteries.



The woodturner's double calipers, above, allows for two measurements to be taken without changing tools. From Woodworking Tools 1600-1900, by Peter C. Walsh.The triple calipers, below, are available on eBay.









These golden mean calipers are
hand crafted in New Zealand
by Nick Taylor.

Then there are those who refuse to leave
anything to the imagination.

Thursday, November 10, 2011

avaf, Gaga's Elves at Barneys

Announcements for Gaga's Workshop at Barneys New York.

I can’t even begin to imagine what kind of crowd control is being planned for the environs of Barneys New York over the holiday season. The store will outdo itself this year by devoting windows and THE ENTIRE FIFTH FLOOR to—move over, Santa--Gaga’s Workshop.

Gaga goodies: 25% of sales from workshop items like the
limited edition snow globe, claw-shaped stocking, and
the chocolate skull, will
benefit Lady Gaga’s
Born This Way Foundation.

To fan the flames of hype, Barneys will release
a new limited-edition product each day
until the opening of Gaga's Workshop
on November 21 at 11:59 p.m.



assume vivid astro focus (avaf), the over-the-top installation collective of Eli Sudbrack and Christophe Hamaide Pierson, will be transforming the 5,500 square-foot men’s store under the direction of Gaga collaborator, Nicola Formichetti. Avaf’s work has appeared at the Whitney Biennial, Deitchprojects, MoMA, etc.
Fashionista reports:
The workshop, which will be on the fifth floor, will house eight different stations including: a giant wig that will house fake nails and other beauty items; a Gaga-faced spider holding jewelry; a giant pop-up book for the books; and a sculptural candy shop (apparently her favorite childhood treats were malted milk balls, gumballls, and candy lipsticks.) Some of the Gaga candy offerings will include chocolate “poker face” chips and “disco stick” lollipops. (Um.)
The Gaga theme continues with the windows, which were inspired by various Gaga songs. One will feature that most festive of holiday decorations–hair–on every surface, obviously in honor of her song “Hair.”

And what kind of magic might we expect from these elves? Here are some past installations by avaf. You can see lots more on their site.



Mock-up of the Madison Ave. entrance.

Monday, November 7, 2011

Running the Numbers


Huge congrats to all who ran yesterday, in the NYC Marathon. The city was mobbed over the weekend. And for once, it was by out-of-towners with extremely low body mass.

While more than 47,000 race bibs were issued for this year’s marathon, it’s unlikely that very many of the Tyvek placards will end up in land-fill. Most will be kept as a souvenir of the 26.2-mile run through the city. In fact, many runners keep the bibs from all their races, and much can be found online about how to store and display accumulated bibs.

The typographic variety in these bib collections, is great-looking, but as a non-runner, I am clueless as to any inherent meaning or nuance. For example, I only learned on Sunday, that for NYC Marathoners, numbers are assigned by expected speed--faster runners get lower numbers. I like to imagine that an experienced racer could glance at any collection of bibs and determine, based on the range of fonts, colors, sizes, etc. the historic period, geographic location, and level of runner it belongs to. As ephemera goes, the bibs are particularly fascinating in that the items are of no inherent value or significance in any way. Except, of course, that they are enormously significant as representations of a particular event to a particular individual. Some runners, when commenting on their collections, say that each bib triggers the vivid memory of each race.

After watching the mylar-caped finishers stream out of Central Park, I am in total awe of every entrant in the 42nd running of the NYC Marathon. I am especially proud of runner number 15-512, my nephew Sam, who finished in 3 hours, 42 minutes.


This collection is interactive. Click on any bib at Joe's Diner
to see race info.


Hanging bibs from Running the Family.



DIY race bib tote bag at notorias.com.


Jacket made from your own race numbers!
Via Wellsphere "What to do with all your race stuff."


A colorful collection of bibs from rundomshots.

Another colorful collection accompanies this race-bib display tutorial.


See the photo gallery of race-bibs-as-wallpaper.

Wednesday, November 2, 2011

Slinky, With Bristles

I just spotted this highly unusual object on 1st Dibs. California-based dealer, Coup d’Etat, describes the “Factory-made Slinky” as a "cylindrical bristle for industrial polishing. America, 20th Century."

The object is quite surprising and has me wondering if, perhaps, it represents a foray by Meret Oppenheim (of fur-teacup fame) into the world of industrial design.

The polisher is 24” high and has an 11” diameter. And, of course, I’m just dying to know if the bristles interfere with this slinky’s ability to “walk –the-stairs.”










Sunday, October 30, 2011

Breast Cancer Awareness, 1777

A number of years ago I found myself standing before a painting of a female patient in bed, surrounded by guests and various attendants. One side of her chest was covered in blood. I was looking at a mastectomy from 1777. The piece was created as an ex voto, a devotional painting, given as an offering of gratitude to a saint.

Translation of the text on the painting :
Doña Josefa Peres Maldonado offers this monument of her gratitude to the Most Holy Christ of Encino, venerated in the Church of Triana, and to the Most Holy Virgin Mary of El Pueblo, in perpetual memory of the benefit, due to her piety, that resulted from an operation that took place on 25th of April 1777, when the surgeon Don Pedro Maillé removed six cancerous tumors from her breast, in the presence of the gentlemen and ladies depicted on this canvas. Although the wound closed perfectly on the 25th of July 1777, other accidents befell her from which she died on Friday, the 5th of September, at 3 p.m., with clear signs of the patronage of the Holy Image and of her salvation.

As Breast Cancer Awareness Month, aka October, comes to a close I wanted to post this surprising early depiction. I found a number of other early visualizations of the disease, mostly from the 18th and 19th centuries. They are just about all, medical in nature, and are way more graphic than the Maldonado ex voto. And way more horrifying than any Halloween post I could come up with. By the end of October, breast cancer might seem like it's all pink ribbons and teddy bears, but these pictures can remind us of what all the pink was about to begin with.

For multiple views about the breast-cancer awareness movement, listen to “Pink Fatigue” on NPR, and the interview with an outraged Barbara Ehrenreich. The writer, whose latest book is Bright-Sided: How the Relentless Promotion of Positive Thinking Has Undermined America, was treated for breast cancer in 2001. Ehrenreich challenges the pink-ribbon culture, with its cutesiness and heavily marketed product tie-ins. She resents, as well, the “survivor” label and the current emphasis on embracing breast cancer as a growth experience.

"This is ugly, this is nasty," she says. "I want to know why it happens and stop it."


For more Ehrenreich, read Smile, You’ve Got Cancer.

Kamata Keishu, 1851
Excision of a cancerous growth from a woman's breast, an operation which Hanaoka Seishu first carried out in 1804 using general anesthetic.
Wellcome Library, London



Lorenz Heister, 1748
Latent or occult breast cancer, mastectomy and
relevant surgical instruments.
Wellcome Library, London



circa 1675
Illustration of a woman having a breast operation, accompanied by a close up of the surgical instruments used. From a compendium of popular medicine and surgery, receipts, etc., in German. Compiled for the use of a House of the Franciscan Order, probably in Austria, or South Germany.
Wellcome Library, London


Jacob Nicolas Henri, 1860s
Nicolas Henri Jacob (1782–1871), was a student of the French painter Jacques Louis David. He illustrated the eight-volume treatise, Atlas of Anatomy by French anatomist, Jean-Baptiste Marc Bougery (1797–1849).
Source: Cerebral coffins, Medical Illustrations

Afflicted, Gentlefolk Leeds, 1841
One of six portraits forming a group of works entitled "Gentlefolk of Leeds Afflicted with Disease." Mrs Prince of Coborough Street, after the surgical removal of her right breast.
Wellcome Library, London

Mastectomy, Johns Hopkins Medical Reports
Source: The National Library of Medicine


Attributed to a Dutch artist, 17th century
The operator excises the breast with the "tenaculum helvetianum". His assistant has a case of lancets etc. attached to his belt. A set of cautery irons is smouldering on a stand on the left. The patient is seated, held by two men: she appears to be fainting. On the right, a man in a tall hat points towards her: he is possibly meant to be a physician.
Wellcome Library, London


Lam Qua, 1830s
A woman with a tumour in her right breast which
is expanding over her trunk.
Wellcome Library, London


One of the many pink bears out there.
“MyWalkGear.com provides the opportunity to make a statement and be the winners you all are in the walk of life …”

The trigger for Ehrenreich’s backlash against pink-think cutesiness was an ad for a pink breast cancer teddy bear she saw while waiting for her mammogram results. "That was kind of an existential turning point for me because I realized I'm not afraid of dying, but I am terrified of dying with a pink teddy bear tucked under my arm."
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