I’ve been swooning over the typographic mastery of Czech
designer, Oldrich Hlavsa (1909-1995). Though he's best known for his books about typography and book design, here are some of the books he designed.
The covers here are all from the 1960s. I’m thinking
typographic jazz improvisation—you know one of those solos that go so far out
there, you can’t imagine it ever coming back. And when it finally does, there’s
way more than polite applause. As far out as Hlavsa might go with fragmenting,
duplicating, slicing, or spacing, each does so with enough style and
surprise that I’m left wondering how, exactly, he managed to pull it off.
Typografická písma latinková, 1960
Moderní
Francouzská Fotografie, J.A.Kaim, 1966
Clockwise from top
left: Expresionismus, Ludvík Kundera, 1969; Inspiromat, Bratislav Hartl, 1967;
Slovo o Pluku Majakovského, V. Majakovskij, 1961; Začarovaná Drožka, Konstanty
Ildefons Gałczyński, 1963
150,000.000, Vladimír
Majakovskij
Veřejná Růže, Paul Eluard, 1964 |
Snář, Radovan Krátký, 1968 |
Prvotiny, Vydalo Státní, 1961
Pan
Meister, Walter
Jens, 1967
(Top: Dust jacket)
Emil Filla, Čestmír
Berka, 1964
Oldrich Mikulasek, Svlekani Hadu, 1963
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