Showing posts with label constructivism. Show all posts
Showing posts with label constructivism. Show all posts

Wednesday, March 7, 2012

Selling Space

Tucked away in Duke University’s vast archive of outdoor advertising, is a small group of photos about the selling of outdoor ad space. In addition to the expected blank billboards and “your ad here” signs, are a handful of altered photographic prints, artifacts of the sales process. 

Easily believable as a John Baldessari series—swap out faces for buildings and apply rectangular rather than circular color patches--these photos from a Columbus Ohio real estate company, showed advertisers exactly where their ad would appear. As for the choice of using red (as opposed to the obvious white), there’s no way of knowing if it was inspired by the latest shade of nail polish, Russian Constructivism, or Dorothy’s ruby slippers.

It’s entirely possible, too, that the bright red color went beyond identifying the available space. It may have offered the subliminal suggestion that with an ad in that spot, your business could achieve a status of living color in the otherwise dreary black and white landscape of ordinary commerce.

John Baldessari, The Fallen Easel, detail, 1987

 Gustav Klutsis In Memory of Fallen Leaders, 1927 (via MoMA)




There's alway's an office wise-guy who has to be different!



It kind of makes me want to go out, buy billboard space, and actually paint it red. 


But wait ... It looks as if someone has done that already!


Wall space available in Trenton, c.1920.


Blank Highway Billboards
These road photos out-Hopper Hopper for stark, abstract loneliness.



Atlantic City Billboards

Whited-out billboards, above, from 1942 and below, 1951.


Cool “invasion arrow” is added to this 1926 day/night composite with crowds.

Separate day and night scenes from 1923.

Wednesday, February 16, 2011

Soviet Book Jackets

Krasnoznam, Balt Flot (Red Banner Baltic Fleet).

There are 656 “Russian bookjackets, 1917-1942” digitized on the site the New York Public Library. So though it may look like I got carried away, it was really with great difficulty that I limited myself to the selection here.

While going through these, I was struck by how the cover designers did not confine themselves to the vertical rectangle we see when a book is closed in front of us. Instead, the entire horizontal expanse of the fully unfolded jacket was utilized as designable space. I’m not sure why this was, but perhaps it had to do with the absence of the capitalist mentality that considers every available square inch of printable surface as an opportunity to “sell.”

The entire collection is presented in a “wide screen” format, as opposed to the American and European dust jackets, which are displayed with a squarer aspect ratio of cover-plus-flap or a vertical format of the front cover alone. That is a collection of over 2,000. Something to look forward to …

Bezymenskii, Stikhi (Poems), 1934.


Sel'vinskii, Pushtorg (Fur-Trade), 1931.


Kuznetsov, Tsirk (Circus), 1931.


Chukovskii, Skazki (Fairy-Tales), 1935.


Sovetskoe iskusstvo za 15 let (Soviet Art over 15 Years), 1933.


Boitsy pervogo prizyva (Soldiers of the First Call).


Skazki Severnogo kraia (Fairy-Tales of the Northern Region), 1934.


Sobolev, Kapital'nyi remont (Major Repairs), 1933.


Dos Passos, Tri soldata (Three Soldiers), 1934.


Voenlety, Rasskazy o voenno-vozdushnom flote (Military Pilots, Stories about Air Force.), 1933.


Blagoi, Tri veka (Three Centuries), 1933.


Boitsy pervogo prizyva (Soldiers of the First Call).


Sto let Aleksandrinskomu teatru (A Hundred Years of the Aleksandrinskii Theater), 1932.


Lidin, Idut korabli (Ships are Sailing), 1928.


Gornaia promyshlennost' (Mining Industry), 1932.


Koster (A Campfire), 1934.


Chetyre pokoleniia, Kniga o Narvskoi Zastave (Four generations, A Book about the Narva Gate) 1933.


Slavin, Interventsiia (The Intervention), 1933.


Belyayev, Pryzhok v nichto (Jump Into Nowhere), 1932.


Lapin, Podvig (A Heroic Exploit), 1934.


Permitin, Kogti (Claws), 1932.


Chekhov, Vishnevyi sad (Cherry Orchard), 1933-35.


Shternberg, Giliaki (Giliaks), 1933.


Maiakovskii, Groznyi smekh (A Menacing Laugh) 1932.


Panferov, Bruski, t.2 (Bruski, Vol.2) 1933.


Bibineshvili, Kamiu (Kamiu), 1934.
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